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I confess, I am ridiculously excited for this.
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Photos via Chanel
I’m taking the day off tomorrow. Yep. Mental health day! Don’t worry, though, Megs will be here to hold down the fort and update the blog, but I’m going to have a three-day weekend. I don’t take many days off, and I intend to frolic.
It would be awful of me to leave you without something memorable, though, which is why I present you with the Chanel Pre-Fall 2011 Outstanding Pieces. We already saw the exotics from Chanel Paris-Byzance, and now we have a proper Pre-Fall collection full of aubergine alligator and gold python, in addition to the usual suspects. As always, all the pictures can be found after the jump.
View full post on PurseBlog – Designer Handbag News and Reviews » Chanel
Chanel Paris-Moscou PreFall 2009:Focus on accessories
Ruby red lacquered bags like Fabergé eggs swinging from gilded chains, heels sculpted like upturned onion domes, hair-and-pearl-adorned tiaras like those of Byzantine empresses—oh, and strict black Soviet “uniform” suits. Yes, this was Karl Lagerfeld setting off on another of his light but learned excursions into Coco Chanel’s exotic history with men: in this case, the Grand Duke Dmitri Pavlovich, and the Russian inspirations—the Ballets Russes, Constructivism, Byzantine jewelry, and Slavic folklore—triggered by their relationship. “Paris-Moscou” was Lagerfeld’s theme for the semiannual collection designed to show off the skills of the French embroiderers, milliners, goldsmiths, and shoemakers the house supports. And it was also the subject of his directorial debut. As the audience—which included Princess Caroline of Monaco, Diane Kruger, Emmanuelle Béart, and Clémence Poésy—took its seats in the plush velvet and mahogany Théâtre le Ranelagh, the show opened with a silent black-and-white cine-skit on Coco’s flirtation with Russian-Parisian émigré society in the 1910′s and 1920′s, featuring a cast of Lagerfeld’s friends. (The short film is now playing on www.chanel.com.) Fashion-wise, the then-now parallels were embodied by the Russian models, led out by Sasha Pivovarova. The clothes—extravagantly embellished with sequins and pearls, tufted layers of chiffon, and sparkling feather fringe—were accessorized with a winter fantasia of military fur hats, gold Cossack boots, and …
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