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Eiko Ishioka – Costume Designer

Posted: March 25th, 2011 | Author: | Filed under: General | Tags: , , , | No Comments »

source: wikipedia

Quote:

Eiko Ishioka (石岡 瑛子 Ishioka Eiko, born July 12, 1939, Tokyo) is an Oscar-winning costume designer, known for her work in stage, screen, advertising, and print media. She won a 1992 Academy Award for costume design for Bram Stoker’s Dracula.

Ishioka’s long list of credits includes the 1985 Cannes Film Festival Award for Artistic Contribution for her production design of Paul Schrader’s film Mishima, a Tony Award nomination for the stage and costume design of the Broadway play "M. Butterfly," and a Grammy Award for the art work for Miles Davis’ "Tutu" album, to name just a few. Most recently, she brought her creative sensibilities to bear on the conservative opera world with her costume design for Richard Wagner’s "Ring Cycle," at the Netherlands National Opera. Also recently, she joined the creative team of a musical adaptation of the Spider-Man comics.

Eiko Ishioka graduated from the Tokyo National University of Fine Arts and Music. Her work is included in the permanent collection of museums throughout the world, including the Museum of Modern Art in New York. In 1992 she was selected to be a member of the New York Art Directors Club Hall of Fame.

One of Eiko’s most famous works are the costumes for Cirque du Soleil: Varekai.

She also directed the music video for Björk’s Cocoon in 2002.

Ishioka was the costume designer for the Beijing-2008 Olympics.

Eiko was discovered by Tsuji Masuda who created Parco Ikebukuro from the ailing Marubutsu Department Store. When Parco did well and expanded to a Shibuya location in 1973, Eiko designed Parco Shibuya’s first 15 second commercial for the grand opening with "a tall, thin black woman, dressed in a black bikini, dancing with a very small man in a Santa Claus outfit." She became deeply involved in Parco’s image. Her last Parco campaign involved Faye Dunaway as "face of Parco" wearing black, on a black chair against a black wall, and peeling and eating an egg in one minute as "a film for Parco."
source: "The Brothers" by Leslie Downer pp 239–240.

Filmography

  • Teresa, el cuerpo de Cristo (2007)
  • The Fall (2006)
  • Varekai – Cirque du Soleil
  • The Cell (2000)
  • Bram Stoker’s Dracula (1992)
  • Closet Land (1991)
  • Mishima: A Life in Four Chapters (1985)

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H Potter costume designer magically creates dress very much like a McQueen

Posted: October 26th, 2010 | Author: | Filed under: General | Tags: , , , , , , , , , | No Comments »

from the Telegraph

Harry Potter costume designer accused of stealing Alexander McQueen design

Flattery or theft? Harry Potter costume designer Jany Temime’s wedding dress design looks identical to iconic Alexander McQueen dress.

BY Belinda White | 26 October 2010
Left: Fleur Delacour marries Bill Weasley in a ‘phoenix’ dress. Right: Alexander McQueen’s iconic peacock dress from his autumn/winter 2008 collection. Photo: REX

As promotion heats up in preparation for the November 19th release of Harry Potter and the Deathly Hallows: Part One , costume designer Jany Temime has given an interview to the Los Angeles Times talking about the inspiration behind her magical designs. Unfortunately it appears that the only magic that went into the design for Fleur Delacour’s wedding dress was the dark art of forgery.
Related articles

  • Alexander McQueen autumn/winter 2010/11
  • Harry Potter and the Deathly Hallows Part 1: Trailer
  • Harry Potter and the Deathly Hallows trailer released
  • Harry Potter was not copied from Willy the Wizard, says JK Rowling barrister

The elaborate, layered tulle dress with over-laid lace design which Fleur (played by Clémence Poésy), wears for her marriage to Bill Weasley is – how can we put this delicately – a blatant rip-off of an iconic Alexander McQueen dress from his autumn/winter 2008 collection, a blunder which didn’t go unnoticed by hawk-eyed blogger Lela London.
When asked about her design, Temime told the LATimes "For the wedding dress, I wanted it to be a witch wedding dress but not a Halloween dress. The dress is white but it needed to have something fantastic to it. So there is the phoenix [motif], the bird, which is a symbol of love in a way because there is rebirth, love never dies, it is born again."
The birds on McQueen’s dress were actually peacocks, and although Temime did manage to change the crest on the bird’s heads to make them more ‘phoenixy’, she neglected to alter any other detail of the birds, including their rather obvious peacock feathers.
The team at Alexander McQueen declined to comment on the accusations but with such a high profile blunder, it’s a safe bet Temime is wishing she could make like Potter and ‘apparate’ herself and the dress.

More Harry Potter from telegraph.co.uk

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Costume dramas

Posted: July 14th, 2010 | Author: | Filed under: General | Tags: , | No Comments »

Costume dramas
The mag is expecting a rush on Jessie and Woody’s western looks, Dolly’s orange smock, Buzz’s neon cosmonaut chic, Hamm’s nude colouring and Barbie’s “bubblegum brights”.

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Little Black Dress: An entry from UXL’s Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages

Posted: July 9th, 2010 | Author: | Filed under: History | Tags: , , , , , , , , , , , , , , , | No Comments »

Product Description / b>
This digital document is an article of Fashion, Costume and Culture: Clothing, Headwear, Body decorations and footwear through the ages, brought to you by Gale ®, a part of Cengage Learning, a global leader in e-research and educational publishing for libraries, schools and businesses. The length of this article is 450 words. The article is delivered in HTML format and is available in your Amazon. com Digital Locker immediately after purchase. You can view wi. . . more>>

Chanel No. 5: An entry from UXL’s Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages

Posted: March 26th, 2010 | Author: | Filed under: History | Tags: , , , , , , , , , , , , , | No Comments »

Product Description
This digital document is an article of Fashion, Costume and Culture: clothing, headwear, body decorations and footwear through the ages, brought to you by Gale ®, a part of Cengage Learning, a world leader in e-research and educational publishing for libraries, schools and businesses. The length of this article is 227 words. The article is delivered in HTML format and is available in your Amazon. com Digital Locker immediately after purchase. You can see it wi. . . more>>